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2023, 02, v.1 104-110
藏族传统装饰图案的民俗文化功能研究
基金项目(Foundation): 国家社科基金项目“藏族传统装饰图案研究”(项目批准号:18BG109)的阶段性成果
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摘要:

藏族传统装饰图案既是艺术创造的表现,也是宗教信仰的媒介,它贯穿于民俗活动中,与民众的物质生活与精神世界密切相关,是一种具体化的民俗,也是藏族传统文化的重要载体之一。但藏族传统装饰图案中有很大一部分反映宗教观念、宣扬宗教义理的,它将宗教思想与民众日常活动结合起来,以现实生活为根基,以服装、建筑、节日、饮食、游艺等为载体,通过礼仪、宗教、婚丧、祭典等群体性活动,为民众日常生活服务,宗教与艺术并存,具有稳定的传承性和鲜明的群体性。藏族传统装饰图案依存于藏族民俗文化生态,体现着祖先认同、信仰认同、社会认同等方面的族群认同功能,对民众价值观念、伦理道德、行为准则等起到广泛的指导和规范教育作用,在民族历史、工艺技能、民族审美、价值观、世界观、人生观等方面且有一定的文化传承功能,发挥着具有归属感的心理调节和慰藉功能。我们研究藏族装饰图案在民俗文化中的功能,发掘装饰图案自身精神内涵,以及考察藏民族传统习俗、民间信仰、文化变迁、价值观念等都具有重要意义。

Abstract:

Tibetan traditional decorative patterns are not only the expression of artistic creation, but also the medium of religious belief, the content and carrier of people's life. It runs through the folk activities,accompanied by the people's material life and spiritual world. It is a specific folk custom, and one of the important carriers of Tibetan traditional culture. Although Tibetan traditional decorative pattern in a large part is reflect religious ideas, promote religious justice art form, but they combine religious thoughts and people's daily life. In real life, clothing, architecture, festivals, diet, entertainment as the carrier, etiquette, religion, funeral,ceremony, a other mass activities and art coexist, with stable inheritance and distinct group. The traditional Tibetan decorative pattern depends on the Tibetan folk culture ecology, which reflects the function of ethnic identity in ancestral identity, belief identity and social identity; it provides extensive guiding and normative education of public values, ethics and conduct; in ethnic history, craft skills, ethnic aesthetics, values,world outlook and outlook on life, and plays the psychological adjustment and comfort function with a sense of belonging. We study the function of Tibetan decorative patterns in folk culture, which is of great significance to the exploration of the spiritual connotation of the decorative patterns themselves, as well as the investigation of Tibetan traditional customs, folk beliefs, cultural changes and values.

参考文献

[1][6]钟敬文主编.民俗学概论[M].上海:上海文艺出版社,1998:1;31-32.

[2]陈勤建.中国民俗学[M].上海:华东师范大学出版社,2007:22-28.

[3]张紫晨.民俗学与民间美术[M].长沙:湖南美术出版社,1990:18.

[4][5][英]马林诺夫斯基.文化论[M].费孝通,译.北京:华夏出版社,2002:15;25.

(1)“师君三尊”,藏语称为“堪洛却松”,“堪”为“堪布”之简称,指亲教师寂护(静命);“洛”为“洛温”之简称,指轨范师莲花生大师;“却”为“却杰”之简称,指法王赤松德赞;“松”为数字“三”。

基本信息:

中图分类号:J522;K892.4

引用信息:

[1]土旦才让.藏族传统装饰图案的民俗文化功能研究[J].高原文化研究,2023,1(02):104-110.

基金信息:

国家社科基金项目“藏族传统装饰图案研究”(项目批准号:18BG109)的阶段性成果

发布时间:

2023-06-25

出版时间:

2023-06-25

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